Lighting conventions:
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| The character Nick Dunne from Gone Girl |
Low key lighting is mainly used to depict a sense of suspense and uncertainty as well as adding to the mise en scene to create a unsettling and disturbing atmosphere for the audience. A lot of shots used in psychological thrillers use low key lighting to only show a part of a characters face. This is used to not only put the audience members on edge as they find the characters appearance unsettling, but can also be a physical metaphor for an unpredictable or split personality. By using the lighting to create a shadowed effect the audience begin to understand that there is more to the character than it may seem, creating enigma and intriguing the audience.
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The character Teddy Daniels from
Shutter Island. |
Backlight is less often used in psychological thrillers, however IS very effective when used as it enhanced a character or object on screen. This causes the audience to notice the element of the shot which is being highlighted creating enigma as to its relevance. A backlight often gives a halo effect around a characters head particularly at the ends of hair. This can be used to portray different characters in different ways.
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| The character Amy Dunne from Gone Girl |
Fill lighting may be used to reduce the contrast of a scene to match the dynamic range of the recording media and record the same amount of detail typically seen by the eye in average lighting. This creates a blander colour scheme to shot to create a darker more suspicious atmosphere to a scene.
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